Helmed by Portishead co-founder Geoff Barrow, this sharp-edged if undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it results in a hilariously staged chaotic run on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
Game is in British and Irish theaters from 17 November.
